āļŦāļ™āđ‰āļēāđāļĢāļ āļ•āļĢāļ§āļˆāļŦāļ§āļĒ āđ€āļ§āđ‡āļšāļšāļ­āļĢāđŒāļ” āļ„āļ§āļīāļ‹ Pic Post āđāļŠāļĢāđŒāļĨāļīāđ‰āļ‡ āļŦāļēāđ€āļžāļ·āđˆāļ­āļ™ Chat āļŦāļēāđ€āļžāļ·āđˆāļ­āļ™ Line āļŦāļēāđ€āļžāļ·āđˆāļ­āļ™ Skype Page āļ­āļąāļĨāļšāļąāđ‰āļĄ āļ„āļģāļ„āļĄ Glitter āđ€āļāļĄāļ–āļ­āļ”āļĢāļŦāļąāļŠāļ āļēāļž āļ„āļģāļ™āļ§āļ“ āļāļēāļĢāđ€āļ‡āļīāļ™
āļ•āļīāļ”āļ•āđˆāļ­āđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒāļĨāļ‡āđ‚āļ†āļĐāļ“āļēāļĨāļ‡āļ‚āđˆāļēāļ§āļ›āļĢāļ°āļŠāļēāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđāļˆāđ‰āļ‡āđ€āļ™āļ·āđ‰āļ­āļŦāļēāđ„āļĄāđˆāđ€āļŦāļĄāļēāļ°āļŠāļĄāđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚āļāļēāļĢāđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢ
āļŦāļ™āđ‰āļēāļĢāļ§āļĄ Pic Post Pic Post āļ‚āļ­āļ‡āļ‰āļąāļ™ āļŠāļļāļ”āļĒāļ­āļ” Pic Post āļŠāļļāļ”āļĒāļ­āļ”āļ™āļąāļāđ‚āļžāļŠāļ—āđŒāļ„āļĨāļąāļ‡āļĢāļđāļ›āļ„āđ‰āļ™āļŦāļē Pic PostPost āļĢāļđāļ›
āļ”āļđāļĢāļēāļĒāļāļēāļĢāđ‚āļ›āļĢāļ” āđ€āļžāļīāđˆāļĄāđ€āļ›āđ‡āļ™āļĢāļēāļĒāļāļēāļĢāđ‚āļ›āļĢāļ”

ðŸ‡đ🇭 THAILAND | SI THEP DANCE

āđ‚āļžāļŠāļ—āđŒāđ‚āļ”āļĒ āļ­āđ‰āļēāļĒāđ€āļ•āļīāđˆāļ‡

SI THEP DANCE: UNESCO HERITAGE CELEBRATE PERFORMANCE 

ðŸ”ļ Si Thep Dance is a newly created dance in 2023. From the idea and invention of Dvaravati dance postures by the Office of the Music And Drama, The Fine Arts Department.

This performance was created to celebrate the fact that "The UNESCO World Heritage Committee" has listed “The Ancient Town of Si Thep and its Associated Dvaravati Monuments” in Phetchabun province, on September 19, 2023.

āļĢāļ°āļšāļģāļĻāļĢāļĩāđ€āļ—āļž āđ€āļ›āđ‡āļ™āļĢāļ°āļšāļģāļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāļ‚āļķāđ‰āļ™āđƒāļŦāļĄāđˆ āļˆāļēāļāđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āđāļĨāļ°āļ›āļĢāļ°āļ”āļīāļĐāļāđŒāļ—āđˆāļēāļĢāļģāļ‚āļ­āļ‡āļ™āļēāļ‡āļŠāļēāļ§āļ§āļąāļ™āļ—āļ™āļĩāļĒāđŒ āļĄāđˆāļ§āļ‡āļšāļļāļ āļœāļđāđ‰āļŠāļģāļ™āļēāļāļāļēāļĢāļĻāļīāļĨāļ›āļ°āļāļēāļĢāđāļŠāļ”āļ‡ āļĢāđˆāļ§āļĄāļāļąāļšāļ™āļēāļ‡āļŠāļīāļĢāļīāļ§āļĢāļĢāļ“ āļ­āļēāļˆāļĄāļąāļ‡āļāļĢ āļœāļđāđ‰āļ­āļģāļ™āļ§āļĒāļāļēāļĢāļāļĨāļļāđˆāļĄāļ™āļēāļāļĻāļīāļĨāļ›āđŒ āđāļĨāļ°āļ™āļēāļ‡āļŠāļēāļ§āļžāļīāļĄāļžāđŒāļĢāļąāļ•āļ™āđŒ āļ™āļ°āļ§āļ°āļĻāļīāļĢāļī āļ™āļēāļāļĻāļīāļĨāļ›āļīāļ™āļ­āļēāļ§āļļāđ‚āļŠ āļŠāļģāļ™āļąāļāļāļēāļĢāļŠāļąāļ‡āļ„āļĩāļ• āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢ

âœĶ āļ‹āļķāđˆāļ‡āđ„āļ”āđ‰āļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢāļˆāļēāļāļĨāļąāļāļĐāļ“āļ°āļ—āļēāļ‡āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ āđ‚āļšāļĢāļēāļ“āļ§āļąāļ•āļ–āļļ āļĢāļ§āļĄāļ—āļąāđ‰āļ‡āļ›āļĢāļ°āļ•āļīāļĄāļēāļāļĢāļĢāļĄāļ›āļđāļ™āļ›āļąāđ‰āļ™ āļ­āļąāļ™āļ›āļĢāļēāļāļāļŦāļĨāļ‡āđ€āļŦāļĨāļ·āļ­āļ›āļĢāļ°āļ”āļąāļšāļ­āļĒāļđāđˆāļ—āļĩāđˆāļāļēāļ™āđ‚āļšāļĢāļēāļ“āļŠāļ–āļēāļ™ āļ­āļąāļ™āļŠāļ·āļšāđ€āļ™āļ·āđˆāļ­āļ‡āđƒāļ™āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ—āļ§āļēāļĢāļ§āļ”āļĩ āđ‚āļ”āļĒāđƒāļŦāđ‰āļŠāļ­āļ”āļ„āļĨāđ‰āļ­āļ‡āļāļąāļ™āļāļąāļšāļ—āđˆāļ§āļ‡āļ—āļģāļ™āļ­āļ‡āļˆāļąāļ‡āļŦāļ§āļ°āđ€āļžāļĨāļ‡āļ—āļĩāđˆāļ™āļēāļĒāđ„āļŠāļĒāļĒāļ° āļ—āļēāļ‡āļĄāļĩāļĻāļĢāļĩ āļœāļđāđ‰āļŠāļģāļ™āļēāļāļāļēāļĢāļ”āđ‰āļēāļ™āļ”āļļāļĢāļīāļĒāļēāļ‡āļ„āđŒāđ„āļ—āļĒ āļ›āļĢāļ°āļžāļąāļ™āļ˜āđŒāļ‚āļķāđ‰āļ™āđāļĨāđ‰āļ§āđƒāļŦāđ‰āļŠāļ·āđˆāļ­āļ§āđˆāļē āđ€āļžāļĨāļ‡āļ„āļđāđˆāļ—āļ§āļēāļĢāļ§āļ”āļĩ āļ‹āļķāđˆāļ‡āļšāļĢāļĢāđ€āļĨāļ‡āđ‚āļ”āļĒāļ”āļļāļĢāļīāļĒāļēāļ‡āļ„āļĻāļīāļĨāļ›āļīāļ™ āļ‚āļ­āļ‡āļŠāļģāļ™āļąāļāļāļēāļĢāļŠāļąāļ‡āļ„āļĩāļ• āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢ

âœĶ āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđāļ•āđˆāļ‡āļāļēāļĒāļ—āļĩāđˆāļ›āļĢāļ°āļ”āļīāļĐāļāđŒāļ‚āļķāđ‰āļ™āđƒāļŦāļĄāđˆāļ™āļąāđ‰āļ™ āļ—āļēāļ‡āļāđˆāļēāļĒāļžāļąāļŠāļ•āļĢāļēāļ āļĢāļ“āđŒāļ•āđ‰āļ­āļ‡āļ‚āļ­āļ‚āļ­āļšāļ„āļļāļ“ āļŦāđ‰āļ­āļ‡āđ€āļŠāļ·āđ‰āļ­āļžāļąāļŠāļĢāļ§āļ”āļĩ āļžāļąāļŠāļĢāļžāļĨ āđ€āļŦāļĨāđˆāļēāļ”āļĩ āļ—āļĩāđˆāļŠāđˆāļ§āļĒāļĢāļąāļ‡āļŠāļĢāļĢāļ„āđŒāđāļĨāļ°āļ­āļ­āļāđāļšāļšāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđāļ•āđˆāļ‡āļāļēāļĒāļ‚āļ­āļ‡āļāļēāļĢāđāļŠāļ”āļ‡āđƒāļ™āļ„āļĢāļąāđ‰āļ‡āđāļĢāļāļ™āļĩāđ‰āļ­āļ­āļāļĄāļēāļ­āļĒāđˆāļēāļ‡āļ‡āļ”āļ‡āļēāļĄāļ•āļēāļĄāļ›āļĢāļ°āļ•āļīāļĄāļēāļāļĢāļĢāļĄāļ›āļđāļ™āļ›āļąāđ‰āļ™āđ‚āļšāļĢāļēāļ“āđƒāļ™āļŠāļĄāļąāļĒāļ™āļąāđ‰āļ™ āđāļĨāļ°āļ‚āļ­āļšāļ„āļļāļ“āļžāļĩāđˆāđ†āļ™āđ‰āļ­āļ‡āđ†āļāđˆāļēāļĒāļžāļąāļŠāļ•āļĢāļēāļ āļĢāļ“āđŒāļŠāđˆāļ§āļĒāđāļ•āđˆāļ‡āļāļēāļĒāļ­āļ­āļāļĄāļēāļ­āļĒāđˆāļēāļŠāļ§āļĒāļ‡āļēāļĄ

âœĶ āđāļŠāļ”āļ‡āđ‚āļ”āļĒāļ™āļēāļāļĻāļīāļĨāļ›āļīāļ™āļˆāļēāļāļāļĨāļļāđˆāļĄāļ™āļēāļāļĻāļīāļĨāļ›āđŒ āļˆāļģāļ™āļ§āļ™ 8 āļ„āļ™ āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒ
āļ™.āļŠ.āļŠāļŠāļīāļ˜āļĢ āđ€āļžāļīāđˆāļĄāļŠāļīāļ™
āļ™.āļŠ.āļ­āļēāļ āļąāļŠāļĢāļē āļ™āļāļ­āļ­āļ
āļ™.āļŠ.āļāļĐāļĄāļē āļ—āļ­āļ‡āļ­āļĢāđˆāļēāļĄ
āļ™.āļŠ.āļāļ™āļāļāļēāļāļˆāļ™āđŒ āļĪāļāļĐāđŒāļĄāļēāļ
āļ™.āļŠ.āļ āļąāļ“āļ‘āļīāļāļē āļ§āļīāļ āļēāļĢāļąāļ•āļ™āđŒ
āļ™.āļŠ.āđ€āļ­āļāļ™āļąāļ™āļ—āđŒ āļžāļąāļ™āļ˜āļļāļĢāļąāļāļĐāđŒ
āļ™.āļŠ.āļŠāļŽāļēāļĢāļąāļ•āļ™āļ§āļąāļ‡āļāļēāļ§āļĩ
āļ™.āļŠ.āļ™āļ‡āļĨāļąāļāļĐāļ“āđŒ āļāļĨāļĩāļšāļŠāļĩ
āļ—āļąāđ‰āļ‡āļ™āļĩāđ‰ āļ­āļĒāļđāđˆāđƒāļ™āļ„āļ§āļēāļĄāļ„āļ§āļšāļ„āļļāļĄāļ‚āļ­āļ‡ āļ™āļēāļĒāļĨāļŠāļīāļ• āļ­āļīāļĻāļĢāļēāļ‡āļāļđāļĢ āļ“ āļ­āļĒāļļāļ˜āļĒāļē āļœāļđāđ‰āļ­āļģāļ™āļ§āļĒāļāļēāļĢāļŠāļģāļ™āļąāļāļāļēāļĢāļŠāļąāļ‡āļ„āļĩāļ• āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢ 🙏ðŸŧ

ðŸ”ļ Si Thep Historical Park (Thai: āļ­āļļāļ—āļĒāļēāļ™āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļĻāļĢāļĩāđ€āļ—āļž) is an archaeological site in Thailand's Phetchabun province. It covers the ancient city of Si Thep, a site inhabited from around the third to fifth century CE until the thirteenth and spanning cultural periods from late prehistory to the Dvaravati era.

📌 The Dvaravati period lasted from around the 6th to the 11th century in what is now Thailand.
âœĶ Dvaravati refers to a culture, an art style, and a disparate conglomeration of principalities.
Dvaravati itself was heavily influenced by Indian culture and played an important role in introducing Buddhism and particularly Buddhist art to the region.

"Buddhism was important during the Dvaravati period. Stories carved on the sema stones are mostly stories from Jataka tales and the Lord Buddha's life. The Northeast has many ancient sites related to Buddhism.
.
ðŸ‡đ🇭 Is Dvaravati (Dhavaravati) really in Thai territory?

âœĶ From found inscriptions on silver coins that mention "Sri Dvaravati Swarapunya" means "Merit of the King of Sri Dvaravati" (inscription in Sanskrit age around the 13th Buddhist century), which indicates that Dvaravati (Dhavaravati) is real in Thailand and there are also inscriptions on the Buddha statues at Wat Chanthuk, Pak Chong, Nakhon Ratchasima, and many others. As for the evidence found outside the country, such as the evidence of the record of the Chinese monk Jin Hong The record of the land in the southeast of India. But the name Dvaravati is pronounced in a Chinese accent as "To Lo Po Ti", which in Sanskrit means "Dvaravati" (Dhavaravati), which corresponds to finding silver coins in Thailand. Therefore, Dvaravati (Dhavaravati) is definitely in Thailand. âœĶ

Credit: https://www.facebook.com/ThaiCultureToTheWorld/posts/pfbid082atNnJzbUTVjF31PUjo7bSuBzteLf855aBGZ4xdy1KxTTBhsUeorfAFUXJuBj36l
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ðŸ‡đ🇭 THAILAND | SI THEP DANCE
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Nang Songkran 2022: Kirinee Devi or Kankinee Devi by "Baifern - Pimchanok" | THAILAND ðŸ‡đ🇭 THAILAND ðŸ‡đ🇭 | The Gold of Wat Ratchaburana, Ayutthaya Kingdom "āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ—āļ­āļ‡āļ­āļĒāļļāļ˜āļĒāļē āļĄāļĢāļ”āļāļ‚āļ­āļ‡āđ‚āļĨāļ āļĄāļĢāļ”āļāļ‚āļ­āļ‡āđāļœāđˆāļ™āļ”āļīāļ™" Photograph of Siamese: Traditional Outfit. Lai Thai (āļĨāļēāļĒāđ„āļ—āļĒ): Thai Fine Arts | THAILAND ðŸ‡đ🇭āļ”āļđ Pic Post āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ‚āļ­āļ‡ āļ­āđ‰āļēāļĒāđ€āļ•āļīāđˆāļ‡