🇹🇭 THAILAND | Siyatra Song Krueng ✦ Thai Dance: I-Nao literary, and The costume of the Sokan ceremony.
โพสท์โดย อ้ายเติ่ง"สียะตราทรงเครื่อง จากการเเสดงละครใน เรื่องอิเหนา ตอนโสกันต์สียะตรา"
สียะตราเป็นตัวละครในบทละครเรื่องอิเหนา เป็นโอรสของท้าวดาหากับประไหมสุหรี และเป็นอนุชาของนางบุษบา, หลังจากพิธีโสกันต์ สียะตราจึงออกตามหานางบุษบาที่หายตัวไป โดยปลอมตัวเป็นโจรป่าชื่อย่าหรัน.
เครื่องแต่งกายออกแบบและได้รับแรงบันดาลใจมาจากภาพถ่ายเก่าของชุดเสื้อผ้าในพระราชพิธีโสกันต์ในช่วงต้นสมัยรัตนโกสินทร์.
📷 Credit: Nov November
✦ ผู้แสดง: อาจารย์ชฎารัตน วังกาวี
✦ เจ้าของผลงาน: อาจารย์ ดร. พรรณพัชร์ เกษประยูร
✦ เครื่องแต่งกาย: อาจารย์พัชรพล เหล่าดี
✦ ประพันธ์บทบรรจุเพลง: ดร. ธำมรงค์ บุญราช
✦ อำนวยการแสดง: อาจารย์ปริญญา บ่อจักพันธ์
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🔶🔸The story of this scene🔸🔶
✦ Prince Siyatra is a character in the Inao literary. He is the son of Thao Daha and Pramai Suri is a younger brother of Princess Busaba and has a beauty similar to that of Busaba.
Prince Siyatra is the love medium between Busaba and Inao, bringing Inao closer to Busaba. After Inao took Budsaba to live in a cave And Patara Kala caused the wind to carry Busaba away, Inao and his sister Wiyada went to follow Busaba.
After the Sokan ceremony*, Siyatra thought of Inao, Nang Busaba, and Mrs. Wiyada, so Siyatra went looking for them disguised as bandits name Yaran.
✦ The costume was designed and inspired by the photographs of the Sokan royal ceremonies during the Rattanakosin period of Thailand.
The Sokan ceremony (Thai: พระราชพิธีโสกันต์), often translated as royal tonsure ceremony, was an important royal practice in Siam (now Thailand). It was an elaborate form of the Thai topknot-cutting ceremony, reserved for royalty of Phra ong chao rank and above.
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🔶🔸Introduce of 'Inao' Thai Tale.🔸🔶
Within Southeast Asia, a certain amount of borrowing of literary themes has taken place, but not many examples have been studied in detail. A recognized case of such borrowing is the 'Panji' theme, which originated in Java, was popular for a time in the Malay-speaking world, and from there was transmitted to Thailand in a new guise, namely the tale of 'Inao'.
🔸 I-nao as Living Cultural Heritage in Contemporary Thailand 🔸
A synopsis is written for the performance of an episode of Panji of Thailand described that this Thai classical dance, called Lakon Nai, is a court dance drama that is performed by an all-female troupe using elegant and graceful movements. This type of dance and drama evolved according to royal tradition within the precincts of the palace.
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✦ The stories of Javanese cultural hero, Prince Panji Inu Kertapati, dating from the 13th century, mark the development of truly Javanese literature that was no longer overshadowed by the great Indian epics, the Ramayana and Mahabharata.
✦ The Panji tales were spread by merchants along the trading routes, became one of the most popular forms of literature in Southeast Asia during the 17th and 18th centuries, and crossed the borders to the Malay region where they are known as “Hikayat”. The tales further spread to Vietnam, Thailand, Myanmar, Laos, and Cambodia. The Panji influence is described by renowned scholar Adrian Vickers as “a Panji civilization in Southeast Asia.”
✦ The Panji story originated in East Java and subsequently spread to many regions of Southeast Asia. The story has been acknowledged as part of world heritage by UNESCO since 2017 when the collections of Panji manuscripts were included in the UNESCO Memory of the World Register.
✦ The Panji story was introduced to Thailand around the eighteenth century, at which time two Thai Panji versions were first composed, titled Inao, or Inao Lek, and Dalang, or Inao Yai.
The two Inao stories have flourished and have been a part of Thai arts and culture since. To this day, the two stories remain alive as a part of Thai cultural heritage. Of the two stories, the version titled Inao is more popular than Dalang, as many new productions of the Inao have appeared, for example, as novels, TV series, stage plays, and pop songs, together with traditional representations.
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